Colombian artist Fernando Botero, ‘painter of our virtues’, dies aged 91 | Arts and Culture News
Colombia’s most famous artist, Fernando Botero, who was known for his voluptuous depictions of people and animals, has died, President Gustavo Petro announced. He was 91.
“Fernando Botero, the painter of our traditions and defects, the painter of our virtues, has died,” the Colombian president posted on social media, without providing details on the cause of death.
According to Colombian media outlets, which unanimously remembered Botero on Friday morning as “the greatest Colombian artist of all time”, his health had greatly deteriorated in the past days and he was suffering from pneumonia.
Botero’s works of plump and slightly surreal forms became enormously popular during his lifetime, on display in museums and public spaces in cities around the world, including Bogota, Madrid, Paris, Singapore and Venice.
Heralded as South America’s answer to Picasso, Botero also tackled violence and political topics, including Colombia’s internal conflicts, as well as portraying daily life.
Born in Medellin in 1932, his signature style was known as “Boterismo” and he is considered one of the greatest artists of the 20th century.
Although widely known for his large subjects, Botero insisted his pieces were not focused on body type. “I don’t paint fat women,” he told Spain’s El Mundo newspaper in 2014. “No one believes me, but it’s true.
“I am interested in volume, the sensuality of the form. If I paint a woman, a man, a dog or a horse, I do it with volume.”
Although he lived most of his life in Europe and the United States, his work was populated by plump bullfighters, sex workers, and other characters that evoked his native Medellin.
“I painted Colombia all my life,” he once said. “The kind aspects that I knew in childhood and adolescence.”
In an interview with the AFP news agency to mark his 80th birthday in 2012, Botero said he often thought of death. “It makes me sad to leave this world and to not be able to work anymore because I take a lot of joy in my work,” he said at that time.
Botero’s work sometimes focused on Colombia’s long-running internal conflict – he painted the aftermath of a car bomb and a group of partygoers menaced by men wielding automatic weapons and bloody machetes.
He also created tongue-in-cheek portraits of public figures, including Revolutionary Armed Forces of Colombia (FARC) rebel group founder Manuel Marulanda.
Botero also paid tribute to classic paintings with witty rehashings – his version of the Mona Lisa is notably bloated compared to Da Vinci’s original.
But it was his series of paintings about the Abu Ghraib prison scandal that generated discussion across the art world and commanded global attention.
The paintings, based on victim accounts and photos taken of the abuse of Iraqi prisoners by US soldiers, are explicit and harrowing.
The series was exhibited around the world, drawing tens of thousands of viewers. The New York Times said the paintings, while not masterpieces, “restore the prisoners’ dignity and humanity without diminishing their agony”.
Botero’s final decades as one of the world’s wealthiest artists were a far cry from his humble beginnings. Fernando Botero Angulo, the son of a travelling salesman and a seamstress, was born on April 19, 1932 in Medellin.
As an artist, Botero sought to make his work accessible, donating over 200 works to create the Botero Museum in Bogota, which is free and receives half a million visitors a year.
More than a hundred of the pieces were his own, while others were by masters including Picasso, Dali and Monet. He gave another 150 works to a Medellin museum and 23 of his sculptures are installed outside in the Plaza Botero.
Botero is survived by his wife Sophia Vari, two sons and a daughter. Another son, aged 4, was killed in a car crash in 1974.
